He Is A Gallant Weaver – This Week’s Links

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Is Burns Night to blame for a sudden rapid increase in my household’s consumption of haggis and whisky, or is it a sign of an ongoing consumer trend that will last throughout 2022? Only time will tell. While we wait to find out, please find a selection of This Week’s Links, below, for your enjoyment.

Stop and smell the flowers. 🌻💀pic.twitter.com/0yAeiHEXla

— Ming Doyle (@mingdoyle) January 24, 2022

You can’t ban me, I quit… This week’s news.

• Kicking the week off with tech startup news, as a report was released by the Center for Countering Digital Hate stating that content hosting platform Substack is generating a minimum of $2.5 million per annum for writers in the anti-vaccine misinformation movement, with the platform’s co-founders re-iterating their adherence to a “hands-off” approach to moderating content, maintaining the status quo established when criticisms relating to the hosting of transphobic writers were raised previously – Substack is less than six months into ‘betting on comics creators‘.

Elsewhere, following Kickstarter’s announcement that it would be incorporating the blockchain into its platform in the foreseeable future, and resulting disquiet from creators who previously have used the site to finance their projects, online marketplace TopatoCo revealed the launch of TopatoGO, a crowdfunding platform that incorporates the services of logistics facilitation company Make That Thing! – CEO Jeffrey Rowland stated that “We’ve been doing this long enough that we figure it’s time to cut out the middleman and make it easier on everyone involved by doing it all ourselves.”

• As record numbers of attempts to ban books from schools and libraries across the US continue to be reported by the American Library Association, Tennessee’s McMinn County School Board announced that it would be banning Art Spiegelman’s Maus in classrooms, removing it from the curriculum for “rough, objectionable language” and a depiction of nudity, with Spiegelman quoted as being “kind of baffled” by the move.

• In more positive news from the American Libraries Association, the ALA announced this year’s picks for 2021’s Best Graphic Novels for Adults Reading List, and introduced the Best Graphic Novels for Children Reading List aimed at younger readers aged 5-12 years old, which will also be released annually going forward.

• The big personnel change news of the week came courtesy of DC Comics, as Daniel Cherry III stepped down from the role of the publisher’s General Manager, replaced by DC’s former Senior Vice President of Global Brands and Franchises, Anne Leung DePies.

• SPX announced that September 2022 will see a return to the show’s in-person eventing, as an exhibitor table lottery opens on March 20th, COVID safety protocols to follow, with the now classic audience call-and-response of “SARS-COv-2 variants permitting” // “of course” ringing out, loud and true.

• Publisher’s Weekly shared the announcement that HarperCollins will be publisher of The Smurfs in the US and Canada, having made a deal with Belgian licensor IMPS, with HarperCollins representatives sadly not quoted as saying that this was “smurfing exciting news.”

• Finally this week, in memoriam, as Le Monde reported on the death of Jean-Claude Mézières, co-creator of Valérian et Laureline, aged 83 – Europe Comics shared an English-language tribute from publisher Dargaud, which highlighted Mézières’ avid love of travel, and role of mentor to other artists.

pic.twitter.com/XjH9NFGuIz

— eli spencer (@goyagoat) January 20, 2022

Running up that hill… This week’s reviews.

TCJ

Greg Hunter reviews the valuable assets of Firefly Books’ Graphic Witness: Five Wordless Graphic Novels, edited by George A. Walker – “To the extent readers find a history of the graphic novel in Walker’s preface, it is a history unwilling to recognize that the graphic novel was built upon “comic books” too. Giving Masereel the status of graphic-novel granddaddy requires a flattened version of comics history, and as such, it does Masereel and the book’s other artists (or its readers) no favors.”

 

AIPT

• Colin Moon reviews the positive fulfillment of Hope Larson’s All My Friends.

• Rory Wilding reviews the clunky ideas of Jeremy Holt, George Schall, et al’s Made in Korea.

• David Brooke reviews the dreamlike qualities of Tom King, John Paul Leon, et al’s Batman/Catwoman Special #1.

• Ronnie Gorham reviews the bold magnetism of Jackson Lanzing, Collin Kelly, Nico Leon, et al’s Devil’s Reign: Winter Soldier #1.

• Reg Cruickshank reviews the engaging revelations of Mariko Tamaki, Ivan Reis, et al’s Detective Comics #1050.

• Alex Cline reviews the enduring relevance of Robert Morales and Kyle Baker’s Captain America: Truth.

• Alex Curtis reviews the focused freneticism of Rick Remender, Wes Craig, et al’s Deadly Class #50.

 

The Beat

• Cy Beltran reviews the fantastic balance of Dan Watters, Caspar Wijngaard, et al’s Home Sick Pilots #11.

• Hussein Wasiti reviews the derivative boredom of John Ridley, Juann Cabal, et al’s Black Panther #3/#200.

 

Broken Frontier

• Lindsay Pereira reviews the happy oddities of Katherine Collins’ The Collected Neil the Horse.

• Andy Oliver reviews the topical juxtapositions of Stathis Tsemberlidis’ Prismatik Man #2 and the outstanding physicality of Colossive Press’ Colossive Cartographies #22-32.

 

Four Color Apocalypse

Ryan C reviews the absorbing details of Isaac Moylan’s The Maspeth Witch, the entertaining energy of Brian McCray’s Krania, and the snazzy irreverence of Nick Bunch’s Blood Horn.

 

From Cover to Cover

Scott Cederlund has capsule reviews of the disorienting mystery of Matthew Rosenberg and Tyler Boss’ What’s The Furthest Place From Here #3, and the wonderful expressiveness of Stan Sakai’s Usagi Yojimbo #25.

 

House to Astonish

Paul O’Brien reviews the expressive squabbles of Si Spurrier, Bob Quinn, Israel Silva, et al’s Death of Doctor Strange: X-Men/Black Knight.

 

Kirkus Reviews

Have starred capsule reviews of:

– The superb eclecticism of Jonathan Case’s Little Monarchs.

– The refreshing complexity of Uta Frith, Chris Frith, Alex Frith, and Daniel Locke’s Two Heads: A Graphic Exploration of How Our Brains Work with Other Brains.

– The hopeful chaos of Lynda Barry’s Come Over Come Over.

 

Library Journal

Tom Batten has starred reviews of the meditative perspective of Tillie Walden’s Clementine Book 1, and the enthralling charms of Irma Kniivila and Tri Vuong’s Everyday Hero Machine Boy.

 

Multiversity Comics

• Kobi Bordoley reviews the unique strengths of Wyatt Kennedy, Luana Vecchio, et al’s Bolero #1.

• Joe Skonce reviews the compelling intrigue of Kurt Busiek, Carlos Pacheco, et al’s Arrowsmith: Behind Enemy Lines #1.

• Alexander Jones reviews the unconventional superheroics of Jason Aaron, Aaron Kuder, Carlos Magno, et al’s Avengers Forever #2.

 

The Nation

J. Hoberman reviews the vivid hyperbole of Paul S. Hirsch’s Pulp Empire: The Secret History of Comic Book Imperialism.

 

Publisher’s Weekly

Have capsule reviews of:

– The gripping contemplation of Jessica Campbell’s Rave.

– The downbeat passion of Joshua Kemble’s Jacob’s Apartment.

– The snappy adventure of Chip Zdarsky and Jason Loo’s The All-Nighter.

– The enjoyable strangeness of Axelle Lenoir’s Secret Passages: 1985–1986, translated by Pablo Strauss and Aleshia Jensen.

 

Women Write About Comics

• Kat Overland reviews the tight action of Benjamin Percy, Joshua Cassara, et al’s X Lives of Wolverine #1.

• Wendy Browne reviews the shallow transitions of Stephanie Phillips, Patrick Zircher, et al’s Taarna: The Last Taarakian.

• Magen Cubed reviews the shallow inconsistency of Jenna Lyn Wright, Vicente Cifuentes, Rodrigo Xavier, et al’s Grimm Tales of Terror Quarterly Presents: Bachelorette Party.

• Cori McCreery reviews the enjoyable elements of Tom King, Greg Smallwood, et al’s Human Target #4.

tools pic.twitter.com/9eAVmnDJ7M

— AlexandreDiboine (@A_Zedig_Diboine) January 21, 2022

Whys and wherefores… This week’s interviews.

TCJ

Ian Thomas interviews Sean Phillips about comics origin stories, changing techniques, creative collaborations, and crime fiction favourites – “I’ve barely done any illustration outside of comics, and the two album covers I painted in 1990 unfortunately didn’t lead to any more illustration work for decades. I’ve never sought out illustration work, and had no idea how to go about it anyway. The designer of the Stereo MC’s album, Trevor Jackson, specifically wanted a comic book artist to illustrate the cover, and when Brendan McCarthy didn’t return his call, I got the job instead. But yeah, LPs were on the way out then along with a lot of other avenues for traditional illustration. Comics kept me very busy and were my first love anyway.”

 

AIPT

Chris Hassan presents a threepart conversation with Steve Orlando about Marauders, picking hidden gems, team line-ups, and answering of some reader questions.

 

The Beat

Avery Kaplan talks to Insha Fitzpatrick and Abelle Hayford about Who Sparked the Montgomery Bus Boycott?: Rosa Parks, graphic novel firsts, avoiding the individualist approach to history, and research time.

 

Forbes

Ollie Barder speaks with Yoshikazu Yasuhiko about manga origins in rural Hokkaido, animation pathways to becoming a mangaka, and the road to Gundam the Origin.

 

GoComics

Present an interview with Jerry Scott and Rick Kirkman about Baby Blues, parenting realities, presenting life on the page, and reader engagement.

 

The Guardian

Sam Jones talks to Raulowksy about Camarón, Dicen De Mí, flamenco and the life of Camarón de la Isla, the singer’s tragic end, and the death of the book’s writer Carlos Reymán.

 

Hyperallergic

Valentina Di Liscia speaks with Swann Galleries’ Christine von der Linn about an upcoming auction of William Gropper’s work, and their importance in cartooning history.

 

Smash Pages

JK Parkin talks to Ryan Claytor about A Hunter’s Tale, family history behind the story, the community of crowdfunding, and future plans.

 

SYFY Wire

• Matthew Jackson interviews Benjamin Percy about Ghost Rider, keeping the horror under wraps, self-contained stories, and religious motifs.

• Mike Avila talks to Todd McFarlane about The Scorched, hesitations with team books, gaps in the Spawn mythos, and placing characters out of their comfort zones.

 

Women Write About Comics

Wendy Browne speaks with Warwick Johnson-Cadwell about Falconspeare, creating stories for inspiring characters, and balancing humour and dark story themes.

It’s a-comin’ back… pic.twitter.com/ME4js9XWpI

— Claire Napier (@illusClaire) January 24, 2022

A forest… This week’s features and longreads.

• Here at TCJ, RC Harvey prepares a fresh dose of Hare Tonic, looking at Alfonso Zapico’s James Joyce: Portrait of a Dubliner, the life of the Irish novelist, and the art of graphic biography in general – “For the biographer, then, the trick is to pick episodes from the subject’s life— episodes that reveal the personality of the subject or that show some significant aspect of his history. These should be rendered in comic strip form and then sprinkled judiciously throughout the otherwise merely captioned narrative. This procedure will inject life into the biography.”

• Also for TCJ, Carlo Vanstiphout writes on the work of Toyokazu Matsunaga, and the process of translating Matsunaga’s webcomic PaperaQ, as well as where such works sit in the contemporary spectrum of popular culture, with comment on the English translation from Matsunaga – “A large part of creating is not over-thinking things, and PaperaQ is a rear window into the mind of an author who is slowly regaining his self-confidence as he finds meaning in not just the process, but also by extension the story he wants to tell. When I asked Matsunaga what the title “PaperaQ” stood for, he said it was “just some made up word from my childhood that got stuck in my head.” It’s an answer that embodies how much of an unguided missile it may seem at first, which will no doubt turn most people off for good.”

• Capturing the peaks and troughs of 2021’s retail market, The Beat sees Jason Mojica sharing the experience of establishing an all-ages comics shop during the plague year(s), while SKTCHD has a (non-paywalled) retail landscape survey from David Harper seeing how the bricks-and-mortar crowd fared during protracted distribution and supply chaos.

• For Shelfdust, Adrienne Resha writes on the restrictions of a white Orientalist narrative framework for One Thousand and One Nights, as put forth in Neil Gaiman and P. Craig Russell’s Sandman #50, and the dreams of what might have been.

• Over at NeoText Reviews, Chloe Maveal writes in celebration of the work of Trevor von Eeden and the truncated runs in which it was showcased, and examines the depictions of pure obsessional obsessive-compulsive disorder in Glyn Dillon’s The Nao of Brown.

• Jeet Heer has a new post, over at The Time of Monsters, regarding the recent removal of Maus from school curricula in Tennesee, cross-examining the reasoning put forth by the board members behind the decision.

• For Solrad, Angela M. Sánchez explores the representation of Mesoamerica in comics in 2021, which also marked the 500th anniversary of the fall of Tenochtitlan and its sister city Tlatelolco.

• Jason Diamond writes for GQ on the return of the cartoonist fashion influencer, as illustrated lookbooks on social media help shape a post-pandemic return to everyday Fashion.

• Over at Sequart, Joe Muszynski’s Thor ‘77-’78 series returns, excerpted from Everything I Needed to Know about Life (I Learned from Marvel Comics), this time out looking at the theological relationships to be found in The Mighty Thor.

• Mike Peterson rounds up the editorial beat for The Daily Cartoonist as the headlines were dominated by escalating international tensions with Russia, as well as some Wordle and

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